Cannabis retailer MedMen has been fighting stereotypes in its advertising for months now, featuring everyone from white-collar professionals to grandmothers as weed lovers.
For a new $4 million campaign breaking Monday, the marketer leans into some Southern California cliches like sand and surf, a Rolls Royce in Beverly Hills, a shirtless weightlifter at Muscle Beach and a hipster with a guitar on the Sunset Strip. (Those are cliches for a reason, by the way).
Each beautiful image has a single word written across it: “Cannabis.” The locations of MedMen’s eight Los Angeles-area dispensaries appear against a red background, and its sleek signature red shopping bag has a cameo in each photograph.
The work, from the brand’s in-house creative team — and its most significant spending to date — intentionally doesn’t show faces this time around, in a departure from previous ads. The reason is so potential consumers “can see themselves in any of these stories,” said David Dancer, MedMen’s new CMO and a veteran of Teleflora, American Express and Charles Schwab.
There’s an equally important message about place in these ads, which will appear on billboards, in print pubs and across digital and social.
“We’re letting people know that we’ve found a home in iconic neighborhoods around L.A.,” Dancer said. “And that we’re in premium shopping districts.”
The outdoor ads can be found near stores on Robertson Boulevard in Beverly Hills, Abbot Kinney in Venice and the downtown L.A. arts district and feature such uniquely L.A. touches as the rainbow crosswalk on Santa Monica Boulevard in West Hollywood and the John Lautner-designed Goldstein House (a frequent movie and commercial set) as a backdrop.
The startup, which is already a billion-dollar company often referred to as “the Apple Store of weed,” wanted to boost its media spending to reach a broader audience, Dancer said, though there are still plenty of restrictions on cannabis marketing even in states where recreational sales are legal.
“The budget is almost double from our previous campaign,” said Dancer, who noted that his past gigs in the financial industry are helping him tackling the heavily regulated cannabis space. “We think it’s important to educate people close to our locations. We want them to know who we are and where they can find us.”
The amped-up broader marketing mix includes podcast integrations, brand ambassadors, live local events, wrapped cars, street murals and online editorial components (the second issue of the brand’s Ember magazine debuts with actor-director Lake Bell on the cover).
Since the beginning of 2017 when California started allowing “adult-use” in addition to medical marijuana sales, the brand has debuted two separate campaigns. The first, “It’s Legal,” used close-ups of cannabis consumers whose uses veer more toward relaxation, pain relief and wellness and less to the stereotypical Cheech and Chong-style overindulgence. The effort included a building wrap at the famous Whisky a Go Go nightclub on the Sunset Strip.
A follow-up that premiered on 4/20, called “Forget Stoner,” again batted down the myth that only Snoop Dogg and characters in wacky comedies use marijuana. The ads featured triathletes, physicists, nurses, teachers and entrepreneurs.
To Read The Rest Of This Article By T.L. Stanley on ADWEEK
Published: August 07, 2018
Founder & Interim Editor of L.A. Cannabis News